Australian blockchain startup Veredictum.io is currently    working on a decentralised, anti-piracy and distribution    platform for the film and video industry.  
    Speaking with ZDNet, Veredictum.io founder and CEO Tim Lea    explained that his company is gathering people affected by    piracy in the creative community to get them to represent the    infrastructure that enables the community to solve the problem    of piracy -- similar to the way     SETI out of Berkeley is run.  
    But rather than have a community search for the existence of    extra-terrestrial life forms, Lea is essentially setting up a    decentralised structure that will see people go hunting for    pirated content.  
    Those that help support the underlying infrastructure and find    pirated content will be rewarded with cryptocurrency, Lea    explained, noting that just like with other crytpocurrencies    such as bitcoin, the more traction his platform gets, the more    the value rises.  
    "If the market believes and the community believes that your    project has got legs, then the price of that cryptocurrency    will typically rise because they believe in the platform," he    added.  
    Lea is passionate about solving piracy in the film industry,    after falling victim to the practice himself after he and 115    other people made a film.  
    "When we got pirated, it basically said their contribution was    worth nothing," he said.  
    "So we're focusing on the film and video, but we're creating    the heart and soul of this platform so that others can actually    go hunting for other content."  
    Lea hopes the platform will gain traction among creatives who    have an interest in other areas, with his open-source platform    accessible for those in the music and photography industries,    as some examples.  
    "What it means is we can bring those guys together to create    new business models of distribution where we have white hat    peer-to-peer bittorrenting," he said.  
    "Our objective is to actually reduce piracy by 80 percent --    it's not going to happen a week on Tuesday -- but over time if    we make content available more easily and we have deterrents at    the same time, then we'll gradually reduce piracy."  
    Blockchain technology is the underlying system that facilitates    bitcoin trading, but it has come a long way from simply being    used as a secure method for buying illicit goods via online    marketplaces.  
    "Without blockchain-based technology, it's not actually    something that could be rewarded for actually providing a    structure or they couldn't be rewarded as effectively," Lea    added.  
    In addition to combating piracy, Lea told ZDNet his platform    has the ability to disrupt the venture capital model as it    currently exists.  
    "The community is funding the development of the heart and soul    of the platform," he explained. "We don't actually need to go    down the Series A route, which is beautiful."  
    Lea said a lot of blockchain-based startups are currently    funding themselves in a similar way, pointing to Ethereum,    which launched its software platform as a crowd funded    initiative in late 2014.  
    Lucky for Etherium, it raised $18 million to fund the    development of its platform, which Lea said is now currently    worth $4 billion.  
    "We're creating the open source structure that everybody    contributes towards, everybody benefits by, and then we just    layer a commercial layer over the top for the film and video    space," he said.  
    "If we get this right, it will be amazing."  
    The platform is the next phase of the Australian-based    startup's plan to battle piracy, after launching a     blockchain-based manuscript protection platform in August    that aims to shield creatives from having their ideas stolen    before they sign on the dotted line.  
    "The film script registration service is actually protecting    the IP -- the actual script itself -- in terms of it identifies    who has produced the item, the file itself is cryptographically    hashed and that's locked to the blockchain, so it identifies    that file was registered on this day, at this time, and that's    held in an immutable record," Lea said previously.  
    "It doesn't prevent it from being downloaded, but if there's a    problem in the course of law, they can say: 'This particular    film script was registered on this particular date'. It's an    immutable record; it cannot be changed."  
    Last month, digital music service Spotify announced it had        acquired blockchain startup Mediachain Labs in a bid to    create "a more fair, transparent, and rewarding music industry    for creators and rights owners" using the blockchain.  
    Instead of creating a centralised database with music rights    information, it is expected Spotify, with the help of its newly    acquired Mediachain talent, will build a decentralised one that    connects artists and other music rights holders with the tracks    featured on Spotify.  
    As Mediachain explained in a blog post, its vision for the    problem with attribution is a shared data layer, which it said    "is key to solving attribution, empowering creators and rights    owners, and enabling a more efficient and sustainable model for    creativity online".  
    "The opportunity to join an organisation that shares this    vision comes at a crucial time, when the relatively nascent    blockchain community has few bridges to mainstream consumers,    creators, or the platforms they use to interact," the company    said at the time.  
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Veredictum to offer cryptocurrency for piracy bounty hunters - ZDNet
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